Untitled, 1951. Oil and enamel on canvas, 56 3/8 x 84 1/2 inches (143.2 x 214.6 cm). © 2013 Estate of Helen Frankenthaler/Artists Rights Society (ARS), New York.
Weeping Nude, 1913-14. Oil on canvas, 80 x 100 cm. The Edvard Munch Museum, Oslo, Norway. © Munch-museet/Munch -Ellingsen Gruppen/Bono, M540.
Two Women on the Hillside, 1906. Oil on canvas mounted on cardboard, 15.5 x 24.7 cm (6.1 x 9.72 inches). Franz Marc Museum, Kochel am See, Germany.
Evening Wind, 1921. Etching on white wove paper. Gift of Mr. and Mrs. Malcolm G. Chace Jr. (Beatrice Ross Oenslager, class of 1928). SC 1975:66-2. Photograph by Petegorsky/Gipe.
The Soul of the Rose (My Sweet Rose), 1908. Oil on canvas, 34.75 x 23.25 in. (88.3 x 59.1 cm.). Private Collection.
Bull, 1958. Oil on canvas, 72 x 84 in. (182.9 x 213.4 cm). Grey Art Gallery, New York University Art Collection. Gift of Harold Diamond, 1961.42.
The Old Fisherman (Salmeron), 1895. Oil on canvas, 83 x 62.5 cm. Museu de Montserrat, Barcelona. © 2014 National Gallery of Art, Washington D.C.
Portrait d'une negresse (Portrait of a Negress), 1800. Oil on canvas, 65 x 81 cm (25.6 x 31.9 in). Musee du Louvre, Paris, France.
Note: Marie-Guillemine Benoist created Portrait d'une negresse (Portrait of a Negress) six years after the abolition of slavery in French colonies (Emancipation of 1796)- the work was conceived as a tribute to former slaves and a testament to feminism. At the time, the title was not considered perjorative.
A Corner of the Artist's Room in Paris, 1907-09. Oil on canvas, 31.2 x 24.8 cm. National Museum of Wales, Purchased with assistance of Derek Williams Trust / Estate of Mrs J. Green (1995), NMW A 3397. © Estate of Gwen John 2002. All rights reserved DACS.